PDN - November 2010

© Uwe Duettmann / Stockland Martel

Focus On Advertising:

How To Make The Most of Pre-Production Calls and Meetings
Successful contact with ad agencies and clients can land you an assignment and guarantee a smooth production.

Why CGI?
Close collaboration between photographers and CG artists is key to producing believable images.

Behind The Scenes on Globetrotting Assignments

Three photographers explain how they landed assignments shooting around the world—and what it took to deliver the images.

Q&A: Doug Pray On Filmmaking
Picture Story: Making Sense of Military Strategy in Afghanistan

City Guide: Washington, D.C.
The founders of Fotoweek DC have changed the perception of the city's photo market by luring photographers from many different disciplines.

Boom Book Market: Expanding a Photo Book's Audience
To appeal to a wide audience, Lyle Owerko developed a cultural history with his photographs as the foundation.

Right Stuff: Elizabeth Messina on the Art (and Commerce) of Blogging
A wedding photographer finds a way to broaden her audience and get paid for it in the process.

PDN's Notable Photo Books of 2010

How I Got That Shot: David Drebin

How I Got That Shot: Thomas Hoeffgen

How I Got That Shot: Joel Micah Miller

Objects of Desire
RedRock microEVF
Epson Stylus Pro 4900
Panasonic MW-20

Product Review
Nikon Coolpix P7000
Canon's PowerShotS95

Panasonic Lumix DMC-LX5

America Seen and Heard
Donald McCrea enlisted 35 photographers for a book project that he calls "a love letter to America."

First Peoples
Advertising photographer Dana Gluckstein turns her long-term personal project into an advocacy tool for Amnesty International and indigenous peoples.

End Frame:
Uwe Duettmann on Nadav Kander's Portraits and the power of Photography

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