CES/PMA 2012: Hands On with the New 16.2MP Full-Frame Nikon D4 Professional DSLR
JANUARY 06, 2012
By Dan Havlik
Things just got interesting again. Yes, as has been rumored and leaked for several weeks (months?) now, Nikon just officially unveiled its new flagship professional digital SLR: the Nikon D4, which uses a 16.2-megapixel FX-format (aka full-frame) CMOS sensor that can shoot at up to 11 frames per second and capture full 1080p HD video.
The D4, which is the successor to the 12.1MP D3s announced back in 2009, will start shipping in late February 2012 for $5999.95. So start counting your pennies now!
The announcement of the new Nikon D4 comes several months after Canon also announced a new flagship professional DSLR, the 18MP Full-Frame EOS-1D X. Though the 12-frames-per-second shooting, 1080p-capable Canon 1D X was announced back in October, it won't start shipping until March 2012 and will sell for quite a bit more than the Nikon D4: $6,800.The Nikon D4 will makes its debut at the CES show in Las Vegas next week.
Nikon also unveiled a new portrait lens tonight, the AF-S Nikkor 85mm f/1.8G prime lens. The new lens, which can focus as close as 2.6 feet, doesn't have VR (Vibration Reduction), which is used to combat image blur from hand shake. By taking out VR in the new 85mm f/1.8G though, Nikon was able to keep the lens at a relatively reasonable price: $499.95
Most of the top-line specs of the D4 have appeared already on the Internet, but let's recap briefly in case you missed what this intriguing new professional camera is all about.
Scroll down further if you've already read the specs elsewhere and want to read about our hands-on time with a prototype of the new camera.
Nikon D4 Specs
• 16.2MP Full-Frame (FX-format) sensor, sized at 36 x 23.9mm
• 91,000-pixel sensor dedicated for 3D Color Matrix metering to assist with autofocus and scene recognition
• EXPEED 3 image processor
• Back-illuminated buttons
• 51-point AF System which is same as in previous model but with new cross-type sensors
• ISO range from 50 to 204,800
• 10 frames per second still shooting for up to 200 JPEGs; 11 fps shooting but focus and exposure are locked at the first frame
• Full 1080p HD video at 30p; 720p shooting at 60p for slow motion
• 0.012 second start time; shutter lag rate at 0.0042 second (same as previous model)
• Two memory card slots: one for CompactFlash cards, the other for new XQD memory cards
• 3.2-inch 921,000-dot LCD screen on back
• Price: $5999.95
• Shipping in late February
Steve Heiner, Nikon's Senior Technical Manager, has been shooting with the prototype for several months and helped us take it for a spin during an NDA (Non-Disclosure Agreement) meeting earlier this week.
Admittedly, it was short ride. We weren't allowed to photograph the camera and our time trying the Nikon D4 consisted of shooting with it in a conference room in New York City.
In our brief encounter with the Nikon D4 though, we came away impressed. From a distance, the D4 doesn't look a lot different from its two most recent predecessors the D3s and the virtually identical D3. But gaze closer and you'll notice the camera has a lower pentaprism and a more sloping profile overall.
It's a good look; more modern and ergonomic but still serious. Though the pentaprism on the D4 is slimmer than the steeple-like top on the D3s, it still offers 100% viewfinder coverage.
"We've shoved down the pentaprism so the camera looks more like a linebacker overall," Heiner explained. "It's a little more rounded."
The D4 weighs 2.29 pounds with the new battery, the EN-EL18, which is rated at 2600 shots per full charge. The camera feels solid and, ironically, with its shorter pentaprism on top, it's looking more like Canon's pro DSLRs, which is not necessarily a bad thing.
There are several small but considered changes to the exterior controls of the Nikon D4. The shutter button is slightly more inclined and the power switch has been flattened.
The sub-command dial is also more inclined and Nikon has added a small movie record button just behind the shutter button for getting the camera immediately into 1080p HD recording. Nikon's also given the Live View switch on back two options: one for shooting still images and one for shooting video.
Nikon's added a function (Fn) button to the D4 for vertical shooting and the multi-selector mode dial now has a protection guard around it. The vertical grip has improved too: there's more to hold onto and shooting with Nikon D4 in its vertical position feels comfortable and secure. The back-illuminated buttons are also a nice touch and help you get the camera set in dark conditions.
We shot with the D4 briefly and the fast 10-11fps shooting speed got our blood pumping. (Even if we were only capturing still images of coffee mugs and computer screens in the conference room.) Yes, the Canon 1D X is just a bit faster at 12fps but either of these too models will be more than fast enough to capture just about any professional sport.
And if the 91,000-pixel RGB 3D Color Matrix metering system performs as Nikon is touting it will, images should be sharp, color accurate with good exposure balance.
"Now we've got a wholly dedicated sensor doing the part of the autofocus, metering and white balance as the subject moves across the frame, and that's huge," Heiner said.
The 3.2-inch 921,000-dot LCD screen on back of the Nikon D4 looked gorgeous and offers 46x magnification for extreme zooming during image playback to make sure all your pixels are in order.
The focus selector switch on the lower front left of the D4 -- which lets you toggle between autofocus and manual focus -- now has an AF button on the switch that lets you change modes on the fly, just as with the prosumer-oriented D7000 DSLR, which was our camera of the year in 2010.
The most befuddling thing about the D4, it must be said, is the choice to go with dual memory cards slots for CF cards and the as-yet untested XQD memory card format. One of the biggest selling points of the D3 models over the competition was the attraction of it having dual CF-card slots.
Though it's understandable that, sooner or later, the now ancient CF card format would go the way of the dodo bird, but why offer a camera with a card format that doesn't even exist yet? Even Apple, which is notorious (and often eventually praised) for future engineering its products, usually times things right.
Heiner doesn't think the new XQD format which is smaller and, reportedly, faster than CF, will be a hindrance to prospective buyers of the D4.
"We have a new card slot for a new format that will exist," Heiner assured us.
He also said he felt photographers would come to appreciate the XQD card format, in the long run, even if they will be forced to buy a whole new slate of pricey cards.
The main reason? Heiner says the XQD cards will have such fast write and read speeds, they will improve the recording of 1080p HD video, which is the Nikon D4's forte.
"Our engineers felt it was important enough to start moving to a new standard," Heiner said.
To find out more about the new Nikon D4, check out the press release below.
WHEN THERE IS NO SECOND CHANCE: THE NEW NIKON FX-FORMAT D4 MULTI-MEDIA DIGITAL SLR IS THE DEFINITIVE UNIFICATION OF SPEED AND PRECISION
The New 16.2 Megapixel Nikon D4 Wields a Formidable Fusion of Swift Performance, Battle-Tested Technologies and Innovative New Features to Create High Caliber Photo and HD Multimedia Content
MELVILLE, N.Y. (Jan 5, 2012) – The new Nikon D4 digital SLR builds upon the legacy of the proven Nikon flagship D-SLRs before it, engineered to give today’s professional multimedia photographers a new apex of speed and accuracy with unparalleled image quality, low-light capability and Full HD video. The Nikon D4 hosts a multitude of advanced new features and useful functions that deliver speedy performance and amazing image quality for when missing the shot is not an option.
Every aspect of the new Nikon D4 D-SLR has been designed to emphasize rapid response and seamless operation to help professional photographers consistently capture incredible content. Nikon’s proven 51-point AF System has been further enhanced for maximum speed in a variety of challenging shooting situations, even at 10 frames per second (fps). Considered the new Nikon flagship, the D4 renders supreme image quality, a feat accomplished with a new 16.2-megapixel FX-format CMOS sensor, coupled with the latest generation of Nikon’s EXPEED 3 image processing engine to help produce images and videos with stunning clarity and color. Photographers are also able to shoot in even the most challenging environments and lighting conditions with the assistance of Nikon’s new 91,000-pixel 3D color matrix meter and a broad ISO range from 100 to a staggering 204,800 for low-light capture like never before. The Nikon D4 is engineered for the modern professional and incorporates never before seen HD-SLR video features for those who also need to capture multimedia content from the field.
“Speed without accuracy is irrelevant,” said Bo Kajiwara, director of marketing, Nikon Inc. “The status of a Nikon flagship camera is not given lightly; this next generation of Nikon’s most professional body exceeds the needs of a wide variety of both still and multimedia professionals that rely on Nikon to make their living. Besides overall performance and burst speed, the D4 provides Nikon’s most advanced AF system to date, as well as enhanced workflow speed to give professionals the edge in the field.”
Velocity Meets Versatility
The Advanced Multi-Cam 3500 AF autofocus system is the next
generation of Nikon’s proven 51-point AF system. The fully customizable
system offers users the ability to capture fast moving subjects and
track focus with precision or select a single AF point with pinpoint
accuracy. The Nikon D4 D-SLR aligns 15 cross-type sensors in the center
to detect contrast data in both vertical and horizontal planes. In
addition to detecting each AF-NIKKOR lens with an aperture of f/5.6 or
lower, the camera also utilizes nine cross-type sensors that are fully
functional when using compatible NIKKOR lenses and TC14E or TC17E
teleconverters or a single cross-type sensor when using compatible
NIKKOR lenses and the TC20E teleconverter with an aperture value up to
f/8, which is a great advantage to those shooting sports and wildlife.
For maximum versatility in situations such as photographing nature from
afar or competition from the sidelines, photographers are also able to
select multiple AF modes, including normal, wide area, face tracking and
subject tracking, to best suit the scene.
All of this image data is funneled through a 16 bit pipeline and are written to dual card slots which have been optimized for the latest UDMA-7 Compact Flash cards, as well as the new XQD memory card. The D4 is the first professional camera to harness the capabilities of this new durable and compact format, which offers blazing fast write times and extended capacity essential for multimedia professionals shooting stills and video.
Image Quality That Hits the Mark
Like the D3 and D3s before it, the Nikon D4 retains Nikon’s status as the sovereign of low-light capture ability, with a native ISO range from 100 to 12,800 ISO, expandable from 50 (Lo-1) to an incredible yet usable 204,800 (Hi-4). From a candlelit first dance to nocturnal wildlife, the large 7.3µ pixel size absorbs the maximum amount of light to excel in any situation. Additionally, the sensor’s construction features a gapless micro-lens structure and anti-reflective coating which further contributes to images that retain natural depth and tones with smooth color gradation. For ultimate versatility, photographers can also take advantage of the camera’s extreme high ISO ability while recording video.
Another factor contributing to the camera’s rapid performance and stellar image quality is Nikon’s new EXPEED 3 image processing engine that helps professionals create images with amazing resolution, color and dynamic range in both still images and video. From image processing to transfer, the new engine is capable of processing massive amounts of data, exacting optimal color, perfect tonality and minimized noise throughout the frame.
There are also a variety of shooting options available to help capture the highest quality images and video. In addition to standard NEF (RAW) files, the D4 is also capable of shooting smaller compressed RAW files to ease storage and speed up workflow. Users are also able to capture even more dynamic range with the in-camera High Dynamic Range (HDR) function that merges consecutive exposures. For deep contrast and further tonality, Active D-Lighting can also be activated during shooting for balanced exposures even in backlit scenes. Additionally, the camera features a dedicated button for quick access to Nikon’s Picture Controls, allowing users to quickly select one of six presets.
Professional Multimedia Features
• Full HD video recording - Users have the choice of various
resolutions and frame rates, including 1080p 30/24fps and 60 fps at
720p. By utilizing the B-Frame data compression method, users can record
H.264 / MPEG-4 AVC format video with unmatched integrity for up to 20
minutes per clip. This format also allows for more accurate video data
to be transferred requiring less memory capacity. The sensor reads image
data at astoundingly fast rates, which results in less instances of
rolling shutter distortion.
Professional Construction, Superior Operability
The overall controls and operability of the camera has also been engineered with a renewed emphasis on speed and functionality. During critical moments, users will appreciate refined button layouts with renewed ergonomics, such as a quick AF mode selector placed near the lens mount for fast access on the fly. A new joystick style sub-selector is also placed on the camera’s rear for AF point and option selection, while vertical controls have been enhanced for improved operability. Finally, to continue the D4’s moniker of the best tool for just about any condition, key control buttons on the back of the camera can all be illuminated, making the camera simple to operate in complete darkness.
Nikon has also made enhancements to overall workflow, adding options to streamline the process and maximize shooting time. Users are now able to automatically generate IPTC data for their images and image sets, making organizing and chronicling images easier for both the photographers and their editors. A wired Ethernet port is also utilized so that a user can shoot tethered and transfer images easily and quickly to clients. Nikon has also introduced the new WT-5A wireless file transmitter, to transmit via FTP server or computer. The device can be set to transfer either automatically or manually selected images. This device also allows for remote operation of the camera using Nikon’s Camera Control Pro 2 software. A mobile application is also in development to control the camera using this accessory, which will include the ability to trigger the shutter and record video, making this a must-have remote accessory for many professionals.
Price and Availability : The Nikon D4 will be available in late February 2012 for the suggested retail price of $5999.95.
To see the new D4 D-SLR and other new Nikon products, visit Nikon at the 2012 International Consumer Electronics Show (CES) at booth # 11039 from January 10-13th, 2012 in Las Vegas, NV.
© Courtesy Joan B. Miller / Magnum PhotosWayne Miller, LIFE Photojournalist Dies
© Gerald Mabee/Brent Foster Photography & CinemaFrames Per Second: Pitching Video Storytelling
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© Brookelyn PhotographyPDN May 2013
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