Canon Announces New Professional Camcorders and High-End Cine Lens


APRIL 02, 2014

Canon announced several new pro video products this morning including the Canon XF205 and XF200 camcorders and CINE-SERVO 17-200mm T2.95 lens. The Canon product announcements come ahead of the NAB show in Las Vegas next week.

The Canon XF205 and XF200 Full HD professional camcorders will go on sale in mid-July for an estimated list price of $4,400 and $3,900, respectively. The Canon CINE-SERVO 17-120mm T2.95 zoom lens is expected to be available in August 2014 for a suggested list price of $33,000.

More details in the two press releases below.



PRESS RELEASE

New Canon XF205 And XF200 Professional Camcorders Deliver Ideal Performance For Run-And-Gun, Cinéma Vérité Filmmakers

MELVILLE, N.Y., April 2, 2014 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the introduction of the compact Canon XF205 and XF200 Professional Camcorders, building on technologies carried over from the XA25 and XA20 Professional Camcorders and offering improved performance and enhanced operability in response to industry feedback.

Positioned above the XF105 and XF100 Professional Camcorder models, the new Canon XF205 and XF200 Professional Camcorders are equipped with the upgraded zoom lens, CMOS sensor and image-processing platform featured in the XA25/XA20 High Definition Camcorders. The new camcorders have a compact, lightweight body design, advanced operability and expanded network connectivity, satisfying a wide range of professional shooting demands from the production of high-definition content for news gathering, documentaries, weddings and event videography.


The XF205 and XF200 camcorders each feature a wide-angle 26.8 mm (35mm film equivalent) 20x optical zoom lens with Hi-UD (Hi Index Ultra Low Dispersion) glass lens elements for compact size and reduced chromatic aberrations compared to prior models. Additionally, the lens is equipped with an eight-bladed circular aperture that employs the same EMD (Electro Magnetic Diaphragm) technology used in Canon EF lenses and creates natural, attractive blur characteristics. Differentiating the two models are industry-standard 3G-SDI and HD-SDI output terminals in addition to genlock in/SMPTE time code (in/out) terminals available on the Canon XF205 camcorders.

Further building upon the successful features of the XF105 and XF100 Professional Camcorders, the Canon XF205 and XF200 Professional Camcorders support two recording formats - MXF, a file format used by broadcast stations, and MP4, which offers high versatility through its compatibility with various viewing and content providers such as web browsers and television news outlets. The new camcorders each have a compact, lightweight body with approximately 58 percent of the mass and volume of the XF305/XF300 models.

In addition to their compact size, the XF205/XF200 camcorders include three separate lens rings for focus, zoom and iris control and are equipped with a comfortable handgrip that can rotate freely up to a 120 degree angle for outstanding operability while shooting in a variety of situations.

To help ensure a reliable network data connection is always available, the new Canon XF205 and XF200 camcorders are equipped with both an Ethernet LAN terminal and dual-band wireless LAN connectivity. With these two options, users can select the network connection method that best suits their needs.
The XF205 and XF200 camcorders' enhanced network functionality provides users with improved shooting freedom and efficiency during electronic news gathering and other shooting situations in which workflow speed plays a crucial role. Canon's CameraAccess plus app enables live viewing and remote operation using a compatible smartphone or tablet device, as well as the real-time transfer of proxy data.

The Canon XF205 and XF200 Full HD Professional Camcorders will be available in mid-July for an estimated list price of $4,400.00 and $3,900.00, respectively. For more information, please visit the Canon U.S.A. website at www.pro.usa.canon.com/XF205.



PRESS RELEASE

New Versatile CINE-SERVO Zoom Lens from Canon Provides High-Optical Performance and Operation for ENG, Documentary and Narrative Productions

New Canon CINE-SERVO 17-120mm T2.95 Zoom Lens Features 4K Optical Performance, a Dynamic 17-120mm Focal Length Range, and Removable Digital Drive Unit for Cine-Style or Shoulder-Mounted Operation 

MELVILLE, N.Y., April 2, 2014 – Shallow, creative depth of field, high-resolution and optimal low-light shooting capabilities are just some of the many reasons that large, single-sensor digital cameras have been kitted and rigged for use in nearly every application involving video capture. Further enhancing the versatility and adoption of these cameras into markets such as ENG (Electronic News Gathering), documentary, narrative production and special event coverage is the new CINE-SERVO 17-120mm T2.95 zoom lens from Canon U.S.A., Inc., a leader in digital imaging solutions.

Designed to perform in a shoulder-mounted application or as a traditional cinema lens, the Canon CINE-SERVO 17-120mm T2.95 zoom lens has an ENG-style Digital Drive handgrip with zoom rocker switch, which can also be detached to allow for manual cinema operation. The new CINE-SERVO lens features high 4K optical performance throughout the broad focal length of 17mm to 120mm within its compact and lightweight body, a three-group inner focus system to help minimize focus breathing and provide a stable angle of view, an 11-blade iris to help achieve creative depth-of-field manipulation and natural "bokeh" background, user-friendly design features, support for matte boxes, follow focus and other accessories, and rugged reliability. Designed to work with single-sensor cameras, the lens will be available in either PL- or EF-mount.

"Since the launch of the Cinema EOS system, Canon has been a part of the large-sensor camera movement that has taken many video markets by storm. Each day the markets that employ these dynamic tools are growing, as is the way professionals are using them in the field," explained Yuichi Ishizuka, president and COO, Canon U.S.A. "We remain dedicated to providing the equipment and service that enables professionals to reach the full potential of their talent. With the CINE-SERVO 17-120mm T2.95 zoom lens, we sought to arm them with a lens that is equally as versatile and adaptable as they are, and just as comfortable shooting a feature documentary as it would be shooting a corporate event or an interview for the evening news."

Lens-Camera Communication
Compliance of the Canon CINE-SERVO 17-120mm T2.95 lens with industry-standard camera-to-lens communication protocols helps ensure its compatibility with multiple brands and models of 4K, 2K, and HD cameras. These standards include 12-pin serial communication (common to major broadcast camera brands), Cooke's /i Technology, and Canon EOS technology (employed by the EOS C500, EOS C300, and EOS-1D C Cinema cameras, and the EOS C100 Digital Video Camera). Specific types of data-management functions involving focus, zoom, iris and other settings can vary, depending on camera brands and models. In the case of the Canon EOS system, precise lens data - including aperture setting - are displayed in the EOS camera's viewfinder, as well as recorded in the video file as metadata along with the model name of the lens and focal length setting.

Dual Operability
With its Canon Digital Drive handgrip unit attached, the CINE-SERVO 17-120mm T2.95 lens is ideal for shoulder mount camera configurations commonly employed in ENG, broadcast, or cinema shooting. Attaching the Digital Drive unit does not require manual adjustment of the focus, zoom, and iris gears on the lens, and a rubber cap prevents dirt from entering the Digital Drive unit connections when it's detached. Together with Canon's unique LCD display equipped on the Digital Drive unit that allows the operators to easily access the various digital functions, a 16-bit high-precision microprocessor contained within the Digital Drive unit enables operators to pre-program focus and zoom position/speed, as well as iris settings if desired - allowing for precise, repeatable performance. The microprocessor also provides the capability of a very high-speed zoom of 0.5 seconds to a very slow and consistent zoom of 300 seconds, from wide-end to telephoto-end. Three 20-pin connectors on the Digital Drive unit enable the use of zoom and focus demands or the precision integration of images from the lens and its accompanying camera into a variety of virtual set systems.

In addition to its removable ENG-style Digital Drive unit handgrip that gives users a choice between programmable broadcast-style or fully manual cinema-style operation, the new Canon CINE-SERVO 17-120mm T2.95 zoom lens integrates strategic design features for intuitive, convenient operation by a wide range of camera operators. These features include an ergonomically designed compact and lightweight Digital Drive unit that fits into an operator's hand and brings the palm closer to the center of the lens barrel which can contribute to lessening fatigue on the operator's arm. The lens barrel markings are clearly engraved in both feet and meters on both sides of the lens barrel, and focus indicators on the front side of the lens are marked on an inclined surface to make them easier to see from the back of the camera, especially when mounted on an operator's shoulder. Additionally, luminous paint is used for the scale display on one side of the barrel to help make the markings visually identifiable in the dark.

Combining both broadcast operability and the accuracy required by cinematographers, the lens features a 180 degree focus rotation angle. Both 0.8 type and 0.5 type gear module focus accessories can be used, with the 0.8-pitch gear positioned in front of the focus ring to preclude any interference with the Digital Drive unit or a connecting cord. Major power-driven accessories, matte boxes, and other standard options used by filmmakers can all be mounted. Lens support shafts for support rods as well as a lens hood unit are also included with the lens.

As a symbol of inheriting the optical technology that was developed for other Canon Cinema lenses, a red alumite identity color is used for the mount area. A structure enabling the lens' EF mount to be replaced with the PL mount, or vice versa (electrical system included), is also incorporated. This conversion upgrade can be provided at authorized Canon service centers.

Pricing and Availability
The Canon CINE-SERVO 17-120mm T2.95 zoom lens (CN7x17 KAS S/E1 in EF mount and CN7x17 KAS S/P1 in PL mount) is expected to be available in August 2014 for a suggested list price of $33,000. For more information, please visit the Canon U.S.A. website at www.pro.usa.canon.com/cine-servo.

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