May 17, 2013 -
Photographer and videomaker Brent Foster shares his company’s proactive approach to landing new clients.
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May 13, 2013 -
From budget stabilizers to professional kits, here are our favorite camera tripods to keep your photos on the level.
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April 29, 2013 -
Photographer David A. Land shares the lessons he learned while interviewing 16 artisans in South Africa for a recent West Elm assignment requiring stills and video.
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April 25, 2013 -
Veteran automobile photographer James Haefner takes us behind the scenes of a super-secret Road & Track shoot.
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April 24, 2013 -
Six photographers explain their techniques for shooting in low to no light to get a unique look when shooting fine-art, or for editorial, commercial or NGO clients.
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April 23, 2013 -
We pick our favorite lenses for when you need to go extra long, extra wide or extra weird.
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April 03, 2013 -
Check out six pocket-size cameras that will kick your smartphone’s butt.
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March 28, 2013 -
The portrait photographer shares his notes from a recent National Geographic Channel assignment, as well as his DIY modifier trick.
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March 27, 2013 -
The favorite lights, gadgets and improvised gear 5 photographers say they don’t go on assignment without.
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March 26, 2013 -
The commercial and editorial photographer shares his cinematic lighting technique for a recent Tazo tea campaign.
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March 25, 2013 -
Photographer Peter Sutherland’s experience making a fast-paced, low-budget documentary landed him a gig creating branded films with a subtle message.
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March 22, 2013 -
The LA-based automobile and lifestyle photographer shares his lighting notes from a VW ad campaign as well as the various shots that made up the final composite image.
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March 19, 2013 -
The portrait, still life and landscape photographer shares his lighting diagram and notes from a shoot at the historic Gleason's Gym in Brooklyn, New York.
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March 14, 2013 -
The portrait photographer shares his lighting diagram and notes from an assignment that included shooting a pop culture-inspired carousel.
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March 12, 2013 -
The conceptual photographer explains how he made a unique still life for O, The Oprah Magazine.
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